Photographic representation of biodiversity and countercurrent aesthetics of marine landscapes. – Questioning the role of images in the communication and valorization of biodiversity, as well as in the constitution of cultural geographic imaginaries and environmental sensibilities, this paper focuses on the aesthetics of marine landscapes in some contemporary artistic and activist practices. More specifically, it investigates the function of photography in the construction and deconstruction of stereotypes related to coastal areas and islands (between artistic traditions and tourist imaginaries), thus in the representation of issues related to biodiversity. Contrary to approaches that tend to show marine landscapes exclusively as picturesque or sublime sceneries, projects such as Else, All Will Be Still (Ravi Agarwal, 2013-2015), After the Storm (Amy Balkin, 2016), The Shape of Water Vanishes in Water (Marina Caneve, 2018) and Invisible – Paysages productifs (Nicolas Floc’h, 2018-2020), seek to express the environmental, social and economic inequalities aggravated by climate change and its consequences on marine biodiversity.

With Egypt. Dialogical Space in the Communication of ENI by Enrico Mattei. – This article aims to briefly reconstruct the contribution given by the Il Gatto Selvatico review, some documentaries and photographic reports commissioned by Eni, in the representation of the important political-economic and cultural dialogue developed between Eni and Egypt during Enrico Mattei’s presidency. Articles, photographs and films able to significantly narrate the tangible signs of Eni’s international extension, representing in different circumstances the peculiar modalities of the encounter with the world of the other and of the consequent ability to “make communities” with the its inhabitants.