DOCUMENTI GEOGRAFICI - N. 1 (2023)

TABLE OF CONTENTS

Articoli

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Reasons and topics of a conference. – The introductory text illustrates the project of the Conference within the framework of the celebrations for the seventh centenary of Dante Alighieri’s death and it underlines its interdisciplinary nature. The debate between Geographers and Italianists, focused on the reinterpretation of Paolo Revelli’s work – L’Italia nella Divina Commedia – has deepened the topic of geographic realism in the poem, the author’s political vision, the current tourist interest for the places of Dante. It is thus led a cross-reading of the essays that compose the Proceedings of the conference.

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Tutti i paesi hanno un loro poeta o romanziere nazionale: William Shakespeare in Inghilterra, Miguel de Cervantes in Spagna, ma credo che nessuno di questi abbia nella storia culturale e civile della propria nazione un rilievo e uno spazio pari a quelli che Dante Alighieri ha nella storia letteraria e civile italiana.

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The geography of the Divine Comedy: some remarks. – The geography of the Divine Comedy, although it is supplied with a dimension of proximity, defines a space basically symbolic which is by analogy to temporal synchrony, here action and space merge into a single reality that give substance to the Theatrum.
Dante’s sources of knowledge and geographical perception can be traced back to the observation of the “man of culture” and to his wanderings as exiled as well as to an apparatus of readings typical of the Florentine cul-ture on the threshold of Humanism.

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Dantesque Geography as a genre of the Italian geography between nineteenth and twentieth centuries. – In Italian geography between the nineteenth and twentieth centuries developed the “dantesque geography” which appears to be not a mere research topic, but a real genre that shared to characterize the history of the discipline in that period. It is circumscribed nearly by the two sixth centenaries of the Dante’s birth and death or more precisely between the Italian unification and the coming of fascism. The essay reconstruct its origin and development from Covino (1865) to Revelli (1922). The “dantesque geography” dealt with the Dante’s cosmology, geographical and cartographical knowledges, also for the contributions, among others, of Dalla Vedova, Bertacchi, Mori, Magnaghi. Its main purpose, however, is to shape an image of Italy as a natural and linguistic region that present itself as a prophecy and historical legitimation of contemporary Italy and its territorial aspirations and so it produced also some maps of “dantesque Italy”. The theme of the Italian boundaries according Dante, particularly the northeastern border, is therefore central.

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Why Geography? – This paper underlines the great importance that geographical data have in Dante’s Comedy: the poem is entirely interwoven with references to the space of the earth, in a continuous relationship between the imagination of the places of the otherworld and the perception and geographical projection of the real world. The author considers and distinguishes in this regard three perspectives of study: a historical-philological line, a structural line, an epistemological-hermeneutic line; and shows how today the focus on Dante’s geography directly calls into question the urgency of the environmental question.

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“Paese guasto” and “il bel paese”. Italian places of the divine comedy and Revelli’s Dante. – The places of the Commedia are dressed of a meaning physical and symbolic at the same time, and, the echo of this description, appears strongly detailed in Dante’s verses. The evocative power of the places can be measured from an effective comparison with Eliot’s poem which, with clear evidence, is inextricably linked to Dante’s Commedia; the dead country, as Dante defines it, can definitely be compared to the adjective waste used by Eliot. This evocative connection allows Dante to still live as a fundamental reference point for modern Twentieth-century society. As it is customary in the stream of Italian intellectuals operating in the early Twentieth century, we cannot ignore the fascination of Dante’s exegesis; Paolo Revelli, geographer as well as “dantista”, brings to fulfilment the intellectual custom we have spoken of. Dante and Italy are two indissoluble names and Revelli understands and emphasizes Dante’s role in the geography of Italy.

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Natural images of Dante’s underworld. – Dante Alighieri’s ability to represent the reality of the afterlife is known. The effectiveness of this representation is entrusted by the author to the use of similitudes. The main goal of this research is to underline how the similitudes used by Dante refer mostly to the natural world and how the author constructs the infernal geography through physical and concrete data of an experiential world to which every man can refer to. This attitude of Dante to “speak in images” (visibil parlare), then, is investigated as the main cause that has allowed and inspired so many successive transcodes from literature to the visual arts.

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Geography of Souls in the Comedy. – The purpose of this essay is to demonstrate how the geographical dimension is very important in a work like the Commedia, despite it being set in an ‘aldilà’ with a totally fantastic topography. Among the many geographical references that can be traced back, particularly significant are those connected and provided directly by the souls that Dante meets, so much so that it is possible to speak of a real ‘geography of souls’ in the Comedy.

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Literary Geography: The Europe Of The Nineteenth Century In Dante’s Footsteps. – When in 1922 Paolo Revelli published L’Italia nella Divina Commedia, affirming how much Dante and Italy are indissoluble traditions and names, volumes of European scholars and authors had already appeared: they described their direct personal experience in Italy in search of Dante’s genius loci. In fact, starting from the first half of the nineteenth century, we witness the creation of what we can define as a Dante itinerary, or a journey to the places made eternal by Dante in his most famous work: the Divina Commedia. It is a new itinerary, but also a new approach to the study of the Poem through what we can call “literary geography”.
Eighteenth century is known as a period of great historical changes. It is also the century of Dante. From 1830s to 1920s, we witness the production of volumes, studies, contributions and geographical maps of absolute interest. Among these we also find this itinerary on Dante’s footsteps. The main works are those of Jean-Jacques Ampère, Alfred Bassermann and a series of geographical works containing special maps of Dante’s Italy.

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Dante’s itinerarium: geographies for knowledge of the elsewhere. – The itinerary traveled by Dante to the three reigns of the afterlife and narrated in the Divine Commedia is emblematic of a type of knowledge journey that places physical and metaphysical realities on the same stage and considers the cultural identity of the narrating self and the geographical characteristics of the elsewhere voyaged by the traveler-narrator. This paper aims to offer, from a geographical perspective, an insight into the mean-ing of travel, considering not only the material geographic reality, but also the perceptual and symbolic dimension that is given to spatiality by persons and communities that identify with a specific culture.

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The geopolitics of Dante. A novel reading of Monarchia. – If Dante has been studied from different angles, and in particular in his political assumptions and also in his geographical references, no studies have been conducted on the geopolitical dimension of his works. Nevertheless, from a novel interpretation mostly of Monarchia, some very interesting and innovative geopolitical readings can emerge, standing on a comparison with some relevant definitions of this branch of geography. In Monarchia, indeed, the global reflection on the world destiny, on the international asset of world politics as well as of the humankind seem to be read also from this point of view, which has to be implemented with other studies.

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The Geography of Dante explained to children. – During the 7th century since Dante’s death, a broad reflection on the character and his work has developed, particularly on the value the text retains in the present day.
This contribution has focused on the didactic potential that the text and the illustrations of the places of the Divine Comedy can have in order to introduce children to an understanding of the symbolic and paradigmatic value of the landscape.

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Literary cartography: mapping Italy in the Divina Commedia. – The present contribution aims to collect the non-diegetic geographic-literary-visual elaborations inherent to the Divine Comedy taking into account two perspectives: that of “static” maps that re-propose the places of the Divine Comedy. And that of digital maps and computational initiatives proposed in alternative visual forms, taking advantage of modern virtual tools. Such innovative tools have made it possible to overcome a number of methodological limitations inherent in traditional cartography, and thus the information “loaded” onto the virtual map is greater in quantity, not
presenting the limitations, in terms of size, with which static maps are characterized instead.

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Dante, Celestino and the Forgiveness: from the Comedy to a destination branding. – Despite references to Celestino V on the Divine Comedy are not clear, the lives of Dante Alighieri and the Pope are certainly intertwined. Dante’s expectations on a spiritual renewal of the Roman Church, disappointed by Celestino’s resignation, seem to find acknowledgment today in a series of actions devoted to promoting his main bequest, the Forgiveness, a new territorial brand that is also serving the purpose to help the territory of L’Aquila recover from the 2009 earthquake, especially in trying to fostering a tourism development around Celestino’s figure.

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The places of the comedy along the via Casilina. – This contribution begins with a re-reading and re-interpretation of the Divina Commedia from a geographical perspective. Operation useful for capturing symbols and signs that still manifest themselves today in those places mentioned, in the Commedy. These places, located along the via Casilina, if put into a system, outline a potential itinerary dedicated to the figure of Dante Alighieri, representing a piece of the mosaic of routes that structure the network of routes in the territory of the Lazio sub-apennines (via Francigena in southern Italy, way of st. Thomas, food and wine itineraries of the cesanese lands, path of the parks, etc.).

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Literaly journey in the Tuscia of Divine Comedy. – In the field of Odeporic geography, many scholars have commented on the theme of the journey linked to the name of Dante Alighieri (Cavalieri, 2015; Ferroni, 2015) and as Ferroni (2015) claims we might consider conferring on Dante the competence of geographer. In fact, it is sufficient to read the descriptions of the various Italian places (which he directly or indirectly knows) and their physical-geographical aspects to understand, through a real journey in the Dantesque era, the characteristics of the landscape within which the Comedy is narrated. Through an in-depth reading of the cantos, the goal of this paper is to propose a Dantean itinerary in Tuscia, tracing places, symbols and images. The methodological analysis also included an online survey to verify the existence of similar proposals and a search to examine the feasibility of the itinerary. To achieve this result, ISTAT data (2019-2021) on the tourist movement in the area were also collected. The stages of the proposed itinerary, therefore, concern the historic center of Viterbo and the Urban Park of Bullicame, Bolsena and Bagnoregio.