Abstract

Photographic representation of biodiversity and countercurrent aesthetics of marine landscapes. – Questioning the role of images in the communication and valorization of biodiversity, as well as in the constitution of cultural geographic imaginaries and environmental sensibilities, this paper focuses on the aesthetics of marine landscapes in some contemporary artistic and activist practices. More specifically, it investigates the function of photography in the construction and deconstruction of stereotypes related to coastal areas and islands (between artistic traditions and tourist imaginaries), thus in the representation of issues related to biodiversity. Contrary to approaches that tend to show marine landscapes exclusively as picturesque or sublime sceneries, projects such as Else, All Will Be Still (Ravi Agarwal, 2013-2015), After the Storm (Amy Balkin, 2016), The Shape of Water Vanishes in Water (Marina Caneve, 2018) and Invisible – Paysages productifs (Nicolas Floc’h, 2018-2020), seek to express the environmental, social and economic inequalities aggravated by climate change and its consequences on marine biodiversity.

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Parole chiave

• Biodiversity
• Photographic representation
• Environmental aesthetics