Ecomuseums, Biodiversity, and Contemporary Art in Europe. – In recent years, the growing dialogue between contemporary art and sustainability has found fertile ground also in ecomuseums. Inspired by international experiences such as Ice Watch by Olafur Eliasson and Minik Rosing, or Aerocene by Tomás Saraceno, art has become a key driver in raising awareness of ecological crises. Creative interventions now resonate in European ecomuseums, particularly those in the Mediterranean area, where context-sensitive installations, and collaborative workshops are reshaping the connections between people, biodiversity, and place. This article explores how, between 2011 and 2024, artistic approaches in 26 case studies from France, Italy, Spain, and Portugal have contributed to a new artistic geography. Artistic languages serve as tools for ecological engagement, blending local knowledge and visual culture. The study proposes a framework in which art and biodiversity converge to foster shared ecological responsibility.

Eco-theater, biodiversity and environmental discourse: the perspective of ecocritical geo-politics. – The objective of this article is to analyse, from an ecocritical geopolitical perspective, a particular artistic practice, namely eco-theatre, i.e. theatrical performances that aim to convey an environmental message. To this end, a concise historical account of environmental theatre is provided, commencing with Ibsen’s An Enemy of the People (1882), followed by the experimental endeavours of The Diggers (1960s) and of the Reinhabitory The-ater (1970s), culminating in the climate change works of the 2000s and the contemporary proliferation of initiatives. The article then examines the different narrative strategies and suggests what should be analysed in the texts (plot, role of human and non-human characters, relationship with the audience, etc.) in order to grasp the environmental discourse of each text and its potential for creating an affective atmosphere.

“No More Nature?”. An Ecocritical Theatre and Drama-Based Research Experience. – The paper presents a site-specific, theatre and drama-based research experience exploring social perceptions of biodiversity loss. Grounded in ecocritical geography, the participatory process activated post-anthropocentric relational practices, highlighting the potential of performative methods in geographical research and in imagining multispecies coexistence.

Photographic representation of biodiversity and countercurrent aesthetics of marine landscapes. – Questioning the role of images in the communication and valorization of biodiversity, as well as in the constitution of cultural geographic imaginaries and environmental sensibilities, this paper focuses on the aesthetics of marine landscapes in some contemporary artistic and activist practices. More specifically, it investigates the function of photography in the construction and deconstruction of stereotypes related to coastal areas and islands (between artistic traditions and tourist imaginaries), thus in the representation of issues related to biodiversity. Contrary to approaches that tend to show marine landscapes exclusively as picturesque or sublime sceneries, projects such as Else, All Will Be Still (Ravi Agarwal, 2013-2015), After the Storm (Amy Balkin, 2016), The Shape of Water Vanishes in Water (Marina Caneve, 2018) and Invisible – Paysages productifs (Nicolas Floc’h, 2018-2020), seek to express the environmental, social and economic inequalities aggravated by climate change and its consequences on marine biodiversity.

The management of water resources in mountain contexts in ecological transition. – The frequency and concatenation of environmental and climatic phenomena requires a reflection on our way of managing the change, and in this direction the principle of “custody of the high lands” enhances the awareness of the communities on ecosystem services related to the precious water resources, essential to the biodiversity and the basis of stable economies for the mountain. The contribution intends to build a critical framework on interventions oriented to stem the water crises, adopted in the most vulnerable national mountain areas but which at-tempt the difficult territorial transition path on the climate tendency scenarios. The strategies will be analyzed, promoted by regional legislation and innovative regulations, for the territorialization of the actions on the management of the resource, but also complex projects and multi-sectoral studies with direct repercussions on physical and cultural landscapes, which therefore lead to inclusive forms of governance and participate.

Textures and scalar relationships of transhumance between tradition and innovation. The Sportumanza project for a slow and responsible tourism. – Recalling the importance of transhumance as a territorial process and as the demonstration of the three attributes of space - scale, metric, substance – we can reveal the power of this ancient practice: it proceeds by multiscale relationships, foresees multiple metrics and it shows all its richness in substance, through the three characterizations of inhabiting (relational, functional and temporal). Through the case study of the vertical transhumance of the Orobic pre-Alpine context, we investigate how it generates relationships between human and non-human agents, functional practices for pastoral activity and for other ecosystemic services, care and preservation of biodiversity sites, enabling the shepherd and his animals to become sensors of environmental changes on a global scale. We then move on to the analysis of transhumance as an opportunity for innovation in the forms of living and doing tourism, especially in areas defined as peripheral and internal, by presenting the “Sportumanza” project.

Transhumance paths in the Tuscan Maremma: community and territorial development. – The practice of transhumance in Tuscany, now reinterpreted beyond its pastoral context, serves as an opportunity for territorial development. The CamBio Via project in Tuscany, for instance, aims to enhance transhumance routes by integrating cultural Heritage and landscape. The decline of transhumance is correlated to socio-economic changes and the abandonment of rural areas, however, projects like CamBio Via seek to preserve and promote this tradition by fostering sus-tainable routes and providing training for shepherds. Transhumance, alt-hough declining, continues to play a crucial role in the relationship be-tween rural life and mountain environments, contributing to biodiversity conservation and sustainable natural resource management. The tourist
valorisation of transhumance routes, as emphasized by initiatives like the Cammini, represents an opportunity to preserve and transmit this ancient rural practice. This overall purpose can be achieved also through means such as short films and documentaries able to narrate its history and current challenges.

Sport, Tourism and environment: rethinking local development in the times of Covid-19. – The contribution aims to try to imagine possible territorial development paths starting from the relaunch of individual and team sports, from sporting events driving tourism and from the environment, parks and biodiversity. The costs, in social and economic terms, that Covid-19 is causing on sport and tourism, can only be absorbed if we can quickly identify new forms and new methods of practice and social consumption. The organizational reconfigurations that will concern three major sporting events such as the Tokyo Olympics, the Winter Olympics in Cortina, the Ryder Cup in Rome can serve as a laboratory to rethink a new local development that serves as a basis for rebuilding trust in a global dimension that today it seems tarnished.

 

New rurality and geographic food. A "filosofale" formula  for Abruzzo. – Geographic food is an expression that indicates the deep relationships between territory and eating costums. More precisely, in regard to the current post-modernity, it defines the need of recovering the cultural identities in the sphere of the concepts of place and collective tradition. Such need, which derives in a reactive way from the tendencies of uniformity produced by the mass consumption, can be considered always more as the way of escape deriving from the bottom that works against the processes of globalization and industrialization of the cultural products. Including those related to the field of food and eating customs.
In Abruzzo, the places of contemporary rural context do not seem to escape from such phenomenon. It is clearly proved by the rediscovery of old culinary habits in relation to the farming and pastoral past, the recovery of the agricultural biodiversity, the commercial achievement of local and traditional products, which is noticeably manifested through the country festivals, the proliferation of the country style wine and food places and the increasing diffusion of the farm holiday procedures.