The global south as a transcalar geopolitical construction site: african profiles. – The last two years, with the post-Covid adjustments, the climate transition and two ongoing wars of global impact, have been marked by intense international attention towards the African continent, despite its vastness and diversity. On the one hand, this may please Africans, for the help that can come to the solution of their many problems; on the other hand, it worries them, given the historical precedents. There seems to be a new scramble for Africa underway due to the crumbling of the European and, more broadly, Western presence, against the backdrop of a more general reshuffling of the international order. In this reshuffling, the “Global South” seems to be playing an increasingly important role. Who will lead and how will the world’s economic, cultural and political evolution unfold? The game is complex, but Africa is certainly one of the main arenas of contention. As an immense reserve of raw materials - minerals, energy, agro-forestry - the Continent is emerging as the world’s leading area of demographic development while acquiring growing geopolitical relevance, due to the ongoing Russian-Ukrainian crisis, the Israeli-Palestinian crisis, but also, due to the conflicting profiles that are emerging in the Indo-Pacific, between China and the United States. In this fermenting context, heterogeneous events have taken place over the past couple of years (2023/24) that have recorded an impressive acceleration: two coups in Francophone Africa, three world summits that evoke a pan-African partnership (Russia-Africa, China-Africa, Piano Mattei), two geopolitical summits in Johannesburg and Nairobi (unified African position on climate change, September 2023). It is worth trying to trace a coherent geopolitical profile of this heterogeneous set of events.

Marginal places and resistance in the filmography of Djibril Diop Mambéty. – The filmography of Djibril Diop Mambéty allows reflection on the manner in which urban Senegal takes part in the narrative through a form of decolonial representation. The director focuses on the peripheries of Dakar, a territory marked by colonialism. As the camera explores the urban environment, images and sound become instruments with which to control heterotopic spaces. By redirecting power through a painful negotiation between colonial legacy and a new, deviant focus, these tools show the irreducible otherness of places within the filmic discourse. Mambéty’s critical gaze is also manifested through his protagonists, who belong to a human universe that remains on the fringes of society. These are subaltern figures who, through their sense of se débrouiller, implement practices of resistance within a social and territorial framework permeat-ed by the informal economy.

The enclave of Melilla: an urban area on the edge of the Mediterranean. – The Autonomous City of Melilla as well as that of Ceuta, located on the edge of the Mediterranean, represents the only two land borders between Africa and Europe. Given the particular geographical position that covers the enclave, Melilla is considered as a peripheral territory of the European Union (Sánchez, 2022). The Spatial, cultural and linguistic conflicts are reflected in the urban geography of the enclave and in the division of the city’s neighborhoods. In districts I and II, located in the center of the city, the Spanish language and the Catholic religion are pre-dominant, while the presence of Muslims and the use of the Tamazight language, mainly characterized the peripheral districts of the cities belonging to districts III, IV and V; “Language is also a place of struggle” (hooks, 1998, p. 64). The aim of this work is to analyze the marginal role that the enclave plays between urban, linguistic and religious conflicts.