Dantesque Geography as a genre of the Italian geography between nineteenth and twentieth centuries. – In Italian geography between the nineteenth and twentieth centuries developed the “dantesque geography” which appears to be not a mere research topic, but a real genre that shared to characterize the history of the discipline in that period. It is circumscribed nearly by the two sixth centenaries of the Dante’s birth and death or more precisely between the Italian unification and the coming of fascism. The essay reconstruct its origin and development from Covino (1865) to Revelli (1922). The “dantesque geography” dealt with the Dante’s cosmology, geographical and cartographical knowledges, also for the contributions, among others, of Dalla Vedova, Bertacchi, Mori, Magnaghi. Its main purpose, however, is to shape an image of Italy as a natural and linguistic region that present itself as a prophecy and historical legitimation of contemporary Italy and its territorial aspirations and so it produced also some maps of “dantesque Italy”. The theme of the Italian boundaries according Dante, particularly the northeastern border, is therefore central.

“Paese guasto” and “il bel paese”. Italian places of the divine comedy and Revelli’s Dante. – The places of the Commedia are dressed of a meaning physical and symbolic at the same time, and, the echo of this description, appears strongly detailed in Dante’s verses. The evocative power of the places can be measured from an effective comparison with Eliot’s poem which, with clear evidence, is inextricably linked to Dante’s Commedia; the dead country, as Dante defines it, can definitely be compared to the adjective waste used by Eliot. This evocative connection allows Dante to still live as a fundamental reference point for modern Twentieth-century society. As it is customary in the stream of Italian intellectuals operating in the early Twentieth century, we cannot ignore the fascination of Dante’s exegesis; Paolo Revelli, geographer as well as “dantista”, brings to fulfilment the intellectual custom we have spoken of. Dante and Italy are two indissoluble names and Revelli understands and emphasizes Dante’s role in the geography of Italy.

Reasons and topics of a conference. – The introductory text illustrates the project of the Conference within the framework of the celebrations for the seventh centenary of Dante Alighieri’s death and it underlines its interdisciplinary nature. The debate between Geographers and Italianists, focused on the reinterpretation of Paolo Revelli’s work – L’Italia nella Divina Commedia – has deepened the topic of geographic realism in the poem, the author’s political vision, the current tourist interest for the places of Dante. It is thus led a cross-reading of the essays that compose the Proceedings of the conference.

Literary Geography: The Europe Of The Nineteenth Century In Dante’s Footsteps. – When in 1922 Paolo Revelli published L’Italia nella Divina Commedia, affirming how much Dante and Italy are indissoluble traditions and names, volumes of European scholars and authors had already appeared: they described their direct personal experience in Italy in search of Dante’s genius loci. In fact, starting from the first half of the nineteenth century, we witness the creation of what we can define as a Dante itinerary, or a journey to the places made eternal by Dante in his most famous work: the Divina Commedia. It is a new itinerary, but also a new approach to the study of the Poem through what we can call “literary geography”.
Eighteenth century is known as a period of great historical changes. It is also the century of Dante. From 1830s to 1920s, we witness the production of volumes, studies, contributions and geographical maps of absolute interest. Among these we also find this itinerary on Dante’s footsteps. The main works are those of Jean-Jacques Ampère, Alfred Bassermann and a series of geographical works containing special maps of Dante’s Italy.