The geography of the Divine Comedy: some remarks. – The geography of the Divine Comedy, although it is supplied with a dimension of proximity, defines a space basically symbolic which is by analogy to temporal synchrony, here action and space merge into a single reality that give substance to the Theatrum.
Dante’s sources of knowledge and geographical perception can be traced back to the observation of the “man of culture” and to his wanderings as exiled as well as to an apparatus of readings typical of the Florentine cul-ture on the threshold of Humanism.

Dante’s itinerarium: geographies for knowledge of the elsewhere. – The itinerary traveled by Dante to the three reigns of the afterlife and narrated in the Divine Commedia is emblematic of a type of knowledge journey that places physical and metaphysical realities on the same stage and considers the cultural identity of the narrating self and the geographical characteristics of the elsewhere voyaged by the traveler-narrator. This paper aims to offer, from a geographical perspective, an insight into the mean-ing of travel, considering not only the material geographic reality, but also the perceptual and symbolic dimension that is given to spatiality by persons and communities that identify with a specific culture.