Participatory public art and creative workshop: murals in Bergamo’s suburbs. – The paper examines some urban regeneration and social inclusion projects implemented through collective artworks in Bergamo’s suburbs. Here, for about a decade, murals and graphic design worshops have been adopted as agents of change and active citizen participation. In particular, Tracce Urbane and Pigmenti were conceived as opportunities to modify the urban space by producing murals based on issues such as inequality, gender equality, memory and marginalization. On the one hand, these initiatives involved international artists, in order to give aesthetic qualities to the works and make them colorful re-aesthetization operations (Trione, 2022); on the other hand, street art as a «geographic agent» (Dumont, 2019), has allowed the involvement of vulnerable groups of citizens such as immi-grants and disabled, in order to regenerate and co-construct their everyday landscape. The objective is to provide, with the help of documentation and semi-structured interviews, a critical analysis of the various approaches advocated by local stakeholders. This allows to define the dynamics of the participatory processes implemented and the effectiveness of community empowerment agency; finally, it allows to understand whether these experiences are able to generate conscious communities (Bazzini, Puttilli, 2008), bearers of a common narrative with a peripheral point of view.

Recensione  a

AUGUSTIN BERQUE, Ecumene. Introduzione allo studio degli ambienti umani, edizione critica a cura di Marco Maggioli, traduzione e glossario di Claudio Arbore, Simone Gamba e Marco Maggioli, presentazione di Angelo Turco, “Kosmos”, vol. 29, Sesto San Giovanni, Mimesis, 2020.