The new opportunities offered by immersive and inclusive technologies to represent and rediscover the complex relationship between human communities and water resources. – In order to know, represent and interpret the complex relationship between water landscapes and human communities the new technologies (immersive cartography, three-dimensional web, augmented reality, 3D environments) represent extraordinary and functional tools both for research and for territorial information and promotion actions in terms of tourism. Evidence of this is the project “Tourist Itineraries to Discover the Waters of Italy”, conceived and promoted by the GECOAGRI LANDITALY Interuniversity Research Group Association and financed by ACEA, aimed at promoting a process of water resource enhancement in the dimension of environmental, economic and social sustainability. The authors through some exemplifications and using a methodology of operational analysis, characterized by new syntaxes, reconstruct with the help of augmented reality and immersive technologies, as well as the canonical geocartographic and documentary sources, the material and immaterial dimension of the water resource in the Conca reatina, Umbilicus Italiae, where the sociocultural dynamics underlying the relationship between water and population, narrate experiences of vulnerability and development, participation and conflict, protection and threat. Through 10 ten interactive and implementable totem-stations, it is possible to embark on an inclusive and participatory journey that allows people to explore even inaccessible places. Not only video and audio, historical and thematic cartographies, photos and three-dimensional images, but also drone shots from which to observe from above what nature and culture have achieved and, if necessary, to land in particular places reconstructed through augmented reality that allows one to observe them as they were and as they are today, making clear the processes of transformation of which signs and sedimentations remain in the landscape palimpsest.

Di là dallo stile personale, su cui si è insistito molto. Oltre le variopinte sub-culture che sembrano cristallizzarsi in ideologie nel “discorso” trumpiano: negazionismi, complottismi e quant’altro. Lontano da un panorama mediale dominato dalla disintermediazione mediatica e, quindi, dal peso dei social media che ha raggiunto ormai, per limitarci all’orizzonte democratico, “i 374 messaggi l’ora”, come nota l’humour columnist Alexandra Petri sul “Washington Post”1, peraltro ancora insufficienti nel determinare la vittoria di Kamala Harris.

Territorial education through the rivers. The “Flowing with the rivers” public engagement project. – The contribution reflects on how the value of water resources in the ecological transition can be shared and strengthened through geo-graphical education. In particular, the Public Engagement project “Flow-ing with the rivers”, financed with 48,500 euros by the University of Turin, whose objective was the development of an educational model to sustainably reconstruct the relationships between human communities and territory around water as a resource and fundamental element in all relationships between natural and human systems. The project activities developed between 2021 and 2023, concentrating the action on the territory between Turin and Savigliano, in particular between the Po, Tanaro and Maira rivers, and involved universities, associations, schools with teachers, students and parents, citizens, media and local administrations. The involvement of local communities was considered a basis of geographical education, starting from the idea that through awareness of the ecological, cultural and economic value of rivers it is possible to arrive at a plan for life, care and sustainable development that produces a social and cultural change in the valorization and management of water resources. The interdisciplinary working group, scientifically directed by Cristiano Giorda, involved fifteen researchers from six different departments and scientific areas. The main methodology followed was that of territorial education through outdoor education and place and art based learning activities, ca-pable of territorialising the scientific and artistic dimensions with skills linked to territorial values, landscape, sustainable development -bile and active citizenship.

Le rappresentazioni territoriali nei prodotti mediali di carattere finzionale riscuotono da tempo interesse da parte dei geografi. Ancora poco esplorato è, tuttavia, il mondo della canzone, analizzata prevalentemente come insieme di cartografie, elencazione di toponimi o riflessione intorno a pratiche sociali condivise, venendo considerata soltanto in poche occasioni come una macchina simulante della territorialità, secondo il modello proposto da Marcello Tanca.

Comics, rusty stones and resilient hearts. Graphic novels and practices of spatial re-significance in roman peripheries at night. – This paper is the first result of a wider research project dedicated to the depiction of peripherical and marginal areas in comic books and graphic novels. As such, the contribution is consistent with the perspective of critical geopolitics and focused on the analysis of three graphic novels that, beyond their stylistic and narratives differences, are all set in the same “chronotope”: the Roman periphery at night. Thus, the paper draws from night-studies, socio-geographical theo-ries of space-production, and previous literature dedicated to comics geography. The three works are then presented as divergent narratives that stands against the negative depiction of periphery in mainstream media and their demonization of alternative and conflictual social practices, such as rave parties, graffiti, and house squatting.

Animal cities. Mediated experiences and collective narratives for unnatural geography of the wild. – The clear separation – conceptual, ethical, spatial – between man and wildlife (Whatmore, 2002) remains to this day one of the most fascinating topics of reflection around our relationship with the environment. The cultural history of the wild, especially in its North American roots, hinges on the preservation of territories marked by the absence of appreciable anthropic traces, an exotic, ahistorical nature, in open contrast to urban and peri-urban areas, understood in an Enlightenment sense as spaces of civilization, themselves purged of the presence of the non-human. A binary biogeography that unequivocally identifies the right space for the human, placed at the centre, and the non-human, at the margin. Yet, this stark contrast has been brought to the centre of both scientific debate and public interest, especially during the historic 2020 lockdown, when images and multimedia content have extensively documented the fragility of this strict division of space. Starting from a reconstruction of contemporary mass media discourse, the contribution, therefore, aims to document how the emergence and circulation of grand narratives such as that of ‘nature spaces’ or the ‘awakening of nature’ can reveal epistemological dynamics common to different socio-economic contexts, but also substantially different responses to the various phenomenologies of the wild. The very notion of the margin as a dividing border between man and nature is discussed in relation to the descriptions and representations mobilized by newspapers and social media, to explore the possibilities and potentialities of a reunion between human and non-human, even in non-domesticated forms, in anthropized environments such as those of cities.

The Russian-Ukrainian conflict between Donbass and Crimea: spatial implications of a hybrid war – The Russian-Ukrainian conflict that began in February 2022 can be considered a peculiar model of «hybrid war»: it’s a conflict fought not only in a conventional way, but also with parallel activities, largely attributable to the world of communication, capable of use digital media strategically. These new modalities of war have particularly concerned Donbass and Crimea, two strategic regions in this conflict, highlighting the usefulness of geographical analysis in this regard. The purpose of this contribution is to illustrate and synthetically analyze the complex spatial roots of this conflict, then skilfully manipulated by the media systems of both sides.

Atmosfere come indicatori socio-ecologici. – Lo stato ecologico della natura sta sempre più diventando un problema esistenziale per l’uomo. Sebbene la conoscenza disponibile sulla natura si stia ampliando, la capacità di giudizio non sta aumentando della stessa misura. Tra l’altro, spetta alla ragione mediare tra il sentimento e la razionalità. Perché questo accada, tuttavia, i sentimenti devono essere presi seriamente in considerazione a livello sociale, poiché attraverso i sentimenti le atmosfere permettono agli uomini di sentire proprio-corporalmente (leiblich) in quale situazione essi si trovano. L’esempio della catastrofe nucleare di Chernobyl illustra la diversità delle possibili atmosfere che fuoriescono e si “irradiano” da un disastro. Vengono analizzate cinque diverse atmosfere in relazione alla loro funzione. L’esempio mostra anche come gli stati d’animo (Stimmungen) influenzano le atmosfere, ponendole al servizio dell’ideologia. La comunicazione atmosferica della fusione del reattore non porta alla riflessione critica, ma al livellamento ideologico e al marketing turistico di un “evento”.

Cartography as a symbolic operator: the Covid-19 pandemic in Lombardy. – By anchoring itself to cartographic semiosis, the contribution intends to high-light the importance that cartography acquires within the media communication system, with particular attention to its use in the current health emergency. Indeed, cartography is conceived as a symbolic operator capable of actively acting to create knowledge and provide operational requirements in the Coronavirus emergency. Thanks to cartographic semiosis, it is possible to investigates the construction and communication mechanisms relating to the representation of the territory and the implementation of a cybercartography. This kind of cartography, if it is correctly constructed from a semiotic point of view, is an effective tool, through which it is possible to restore the social complexity of the areas most affected by the pandemic. This contribution will be exemplified on the multiscale mapping of Lombardy produced within the CST-DiathesisLab of the University of Bergamo.

Perceived Risk Effect and Nimby Syndrome. Analysis of the "No-Tap" Conflict in Puglia. – In the first half of 2017, a series of protests and clashes in the Salento region of Puglia attracted media attention. At the origin of such clashes, there is a desire to counter an infrastructure project with an international scope for environmental, landscaping, economic and social reasons. This is the Trans Adriatic Pipeline (TAP), which involves the construction of a natural gas pipeline from the Shah Denizinin fields in Azerbaijan to the Italian coast, and then distributed to Europe. Beyond the underlying motivations of mobilization, what emerges as relevant is the phenomenon associated with the environmental conflict, defined in literature as NIMBY syndrome.
The purpose of the paper is to analyze the nature of environmental conflicts, how they emerge, what characteristics they assume and how they can be managed and contained. To this end, will be addressed the issue of risk, perceived risk and probabilistic statistic risk, clarifying the difference, as it is closely related to the theme of environmental conflicts. A review of the literature on the NIMBY and LULU phenomena will be presented, and finally, the case-study of the NO TAP movement in Puglia will be treated.

La questione del confine nazionale italiano, dall'unificazione al primo dopoguerra, si intreccia, dentro e fuori l'accademia, con il progresso delle scienze geografiche e della rappresentazione cartografica.

L'articolo muove dalle definizioni di territorio, regione e confine, elaborate da Giovanni (1846-1900) e Olinto (1876-1926) Marinelli al giro del secolo XX e discute il contributo delle loro idee al disegno del confine nord-orientale dell'Italia. La disputa interessava le aree mistilingue o storicamente legate all'influenza culturale italiana che erano rimaste al di fuori dei confini nazionali dopo il 1866. In primo luogo Trento, l'Istria e Trieste, ma oggetto del contendere erano anche i territori di Bolzano e Merano, a nord della chiusa di Salorno, e la Dalmazia, da Fiume a Spalato.

Punto centrale è l'analisi del concetto di linea di spartiacque, che esula dalla mera lettura geo-morfologica, per indagarne gli aspetti sociali e culturali che si legano ad un discorso scientifico europeo e transnazionale. Lo sforzo della geografia di superare l'idea di confine areale, delineato da Friedrich Ratzel, per giungere a demarcare linee precise e cartografabili, si relaziona al processo politico e militare, attuato dallo Stato, per stabilire confini sicuri e comprendenti aree il più possibile omogenee dal punto di vista culturale. In questo contesto la cartografia svolge un duplice ruolo: da un lato, archetipo che condiziona e uniforma le scienze geografiche, dall'altro, strumento mediatico e di propaganda per la diffusione di concetti spaziali e politici. Oltre all'esame delle opere geografiche, questo articolo svolge uno studio critico della produzione cartografica coeva, attuando anche un paragone con le coeve teorie prodotte dalla geografia nel mondo tedesco.

Il paradigma geografico e i processi territoriali che ne conseguono contribuiscono così alla definizione e all'affermazione di un'identità nazionale.